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Friday, October 16, 2026
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Game Review: Sleaford Mods' Jason Williamson Assumes Character in Sceptical Look at Ecstasy Generation Era

Helmed by Bristol sound co-founder the musician-producer, this sharp-edged if undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Venal drug user David (the actor) first robs an passed-out supplier, then in a later recollection tries to burgle his own family home. In no time, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the ecstasy generation were primarily out for number one – is clearly conveyed. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Still, a darkly funny standoff takes hold – David eager to get away; the Poacher withholding his jerrycan of cider, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.

Visual Flair and Promo-Inspired Vibe

There is only one key story turn, but it leads to a hilariously staged rampage on the woodland paths that veers toward rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full psychedelic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

Game is in British and Irish theaters from November 17.

AF
Written by

Angie Foster MD

A seasoned journalist covering tech and culture with a passion for uncovering emerging trends and their societal impact.

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